Installations

 

Exhibition: Peeling Onions
Exhibition: Peeling Onions
Exhibition: Peeling Onions
Peeling Onions
Exhibition: Peeling Onions
Peeling Onions
Exhibition: Connect - sculptures called Rapture, Embraced Captive, Untamed, Gala
Exhibition
"Connect"
Exhibition: Connect - sculpture called Rapture
"Connect"
Rapture
Exhibition: Connect - sculpture called Embraced Captive
"Connect"
Embraced Captive
Exhibition: Connect - sculpture called Untamed
"Connect"
Untamed
Exhibition: Connect - sculpture called Gala
"Connect"
Gala
Four large sculptures made from chicken wire, representing family dynamics, each at differing stages of maturity
Interlude
Four large sculptures made from chicken wire, representing family dynamics, each at differing stages of maturity
Interlude
Two large sprialing paper mache sculptures from Stratford Festival, Cairns
Stratford Festival - Cairns
Gynecologists Chair - soft sculpture is a satirical interpretation of the many feelings a woman may feel whilst in the gynaecologist’s chair, including discomfort, degradation, indignity, belittlement, fear and anger
Gynecologists Chair - close-up
Gynecologists Chair-soft sculpture is a satirical interpretation of the many feelings a woman may feel whilst in the gynaecologist’s chair, including discomfort, degradation, indignity, belittlement, fear and anger
Gynecologists Chair
Gynecologists Chair-soft sculpture is a satirical interpretation of the many feelings a woman may feel whilst in the gynaecologist’s chair, including discomfort, degradation, indignity, belittlement, fear and anger
Gynecologists Chair
Lollipop Girls
Lollipop Girls
Lollipop Girls
Lollipop Girls
Lollipop Girls
Lollipop Girls
Site Specific Installation - Seaweed balls hanging
Site Specific Installation
Seaweed

 

Peeling Onions (I love you - I’m sorry - It’s all your fault) 2006

Fabric, stuffing, hair, rope, cotton, steel

Approximately 5 x 5 x 0.25 m

This work represents the disturbing and belying nature of domestic violence, whilst visually connecting the transformation from victim to survivor

The sculptures deprict a jouney from submissivementss, misery and powerlessness through to the final chrysalis from which sheds its link to the weak and abject states that bind the first two sculptures tohether. It is in pursuit of relcaming life.

About Gynaecologist’s Chair

Material, Stuffing, cotton, wire, plastic, and copper wire

Approximately 0.5 m x 0.5 m x 0.5 m

The soft sculpture is a satirical interpretation of the many feelings a woman may feel whilst in the gynaecologist’s chair, including discomfort, degradation, indignity, belittlement, fear and anger.